Rouse Corporation (Faneuil Hall, Harborplace) has been sold...

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  • Jim
    Administrator
    • Dec 2000
    • 1096

    Rouse Corporation (Faneuil Hall, Harborplace) has been sold...

    Not sure how many people heard about this, but it is somewhat interesting if you street perform at one of their properties (Faneuil Hall in Boston, Pier 39 in S.F., Harborplace in Baltimore, etc...)

    I haven't heard what the outcome for performers will be, but I'm sure we'll hear soon.

    General Growth set to acquire the Rouse Company
    By Associated Press, 8/20/2004 11:58
    COLUMBIA, Md. (AP) General Growth Properties Inc., a Chicago-based developer of regional shopping malls, said Friday it will buy the Rouse Co. for about $7.2 billion. The deal will provide it with more leverage in negotiations with top retailers and give it some of the nation's premiere mall sites like Boston's Faneuil Hall and the Fashion Show Mall on the Las Vegas Strip.

    The board of Columbia, Md.-based Rouse has approved the transaction, which is subject to shareholder approval. General Growth also will assume $5.4 billion in Rouse debt.

    Rouse's stock soared almost 32 percent, or $16.17, to $66.78 a share in late morning trading on the New York Stock Exchange, but General Growth shares fell over 2 percent, or 72 cents, to $30.82.

    With the acquisition, General Growth will own or manage a total of 225 malls. That would still leave it in second place behind Simon Property Group Inc., which operates 246 malls across the country, according to Malachy Kavanagh, a spokesman at the International Council of Shopping Centers.

    Rouse a pioneer in creating entertainment mall retailing in the early 1980s operates more than 150 properties, encompassing retail, office, research and development and industrial space in 22 states. It owns, or has stakes in, 37 regional malls, four community centers and six mixed-use projects, totaling about 40 million square feet, including the Providence Place Mall in Rhode Island.

    General Growth chief executive John Bucksbaum said Rouse's steady improvement in operations made it attractive. ''We strive to acquire centers that will continue to improve and be strong three, five and ten years from now,'' he said in a release. ''The Rouse Company offers all of this, and more.''

    On Friday, Thomas J. DeRosa, vice chairman and chief financial officer for Rouse, touted the company's revised rating by Moody's Investor Service, which raised the real estate company's outlook from positive to stable. However, DeRosa did not mention the deal. Rouse officials could not be reached for comment on the proposed sale early Friday.
  • Butterfly Man
    Senior Member
    • Dec 2000
    • 1606

    #2
    Pier 39

    Jim,
    To my knowledge Rouse has never been an owner of Pier 39 in SF ... Warren Simmons (original developer and owner) sold it to the Texas Billionaire Bass Brothers who formed a "Limited Partnership" and left the management of the Pier to (Bob) Moore & (Molly) South, a Chicago based management firm ... after Fritz Arco (their "golden boy" took over (and I quit) I was left out of the loop ... thus their decision to move the stage to the back with no input from the street performers.

    Scotty Meltzer (American Dream/Monkey Wrench) is still in charge of the street performer program there. I don't believe they have ever asked for Scotty's input.

    I was hired by Rouse only to scout entertainment malls in Nashville, Tampa, Jacksonville and Miami ... I had some input in Baltimore but it was "after the fact" ... Boston's street performing program started around 1972 - Alan Krulick one of the Shakespeare Bros. (still a close friend) was a central character in forming the liaison between the office and the street acts.

    Experience tells me that once a mall is sold it's a whole new ball of wax ... everything changes when middle management changes ... street performer programs are not even considered necessary because generally they (management) concern themselves primarily with fiscal budgets and street programs don't figure into that.

    It really helps to get somebody smart and savvy (like yourself) in on the ground floor to establish friendly relationships right away. A letter of introduction is a good idea ... pick somebody to represent all of you ... be clear, friendly and non-demanding. BUT, make sure whoever it is that represents the acts gets a check (something small is OK) but once payroll is involved then your position becomes tenable.

    Who am I to talk, though ... I was faxed my dismissal notice from Universal Citywalk the morning after I stood up to a tenant for ruining another performer's show (they played their music too loud (it was a DJ themed restaurant). Dispite the fact that I was loved by all the personel (I auditioned the acts/did commercials for them/ etc). It goes to show you that no matter how well you are connected you will be removed like a flea if you cross the line.


    Interestingly enough, even though Citywalk was sold to Seagram’s after I left ... using my name is one sure way NOT to be allowed to perform there (and I was fired 8 years ago).

    Walk softly and good luck.

    Comment

    • Jim
      Administrator
      • Dec 2000
      • 1096

      #3
      Huh?

      For the past 12 years of my street performing career, I was always under the impression that Pier 39 was a Rouse property. I had no idea! I guarantee I'm not the only one. I've heard so many people mention Faneuil Hall and Pier 39 in the same breath; I just always thought it was under the same management.

      Duh.

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