We are Adelaide Fringe, the Biggest Arts Festival in Australia! We were born 66 years ago (although we don't look a day over 25) and for 31 magical days and nights each year we completely take over the beautiful city of Adelaide, South Australia.
We did host for them a few years ago, but they now have their own space.
Spin and Louise organize everything. You can play the mall during the day and there is a draw for that every morning then the garden is at night and you do pay to use the amp they set up down there.
The mall is HARD. It can be good at times but sometimes it just sucks. There are a few good shows at night in the garden and on the weekends it can really go off. The thing is there'll be about 30 or so people drawing for three spots in the garden. If you get it, it can be amazing, if not, your stuck in the mall.
hey kids, does anyone know the current deal on the Garden draw? Do you have to register in advance or can you show up and put your name in? I'm going to be in Oz in Feb and March and I'd like to work the fringe but only know what I can find out on the website and through the archives here, so any info you guys could add would be really helpful.
What I hear is there is no garden pitch this year, just the Mall.
It may have changed at the time of writing this, that's what I know from a few weeks ago
Yeah, it totally takes away a lot of the reason to go to Adelaide...but I hear that the mall isn't that bad as far as just street performing goes, so I still might give it a shot. Does anybody know how the street performing in Adelaide compares with the street in Melbourne?
mmmmm they are both street pitches ( as is Sydney/Perth/Canberra/Darwin ) so just depends how good/confident you are in your abilities.
Nick
I'm pretty confident that I have realistic expectations. Like, I know that I have a really good show...on my home pitch. I know that it's not going to be as good away as it is at home. But, I also know that I have a good presence, I build good relationships with my audience and I have a great finale. I figure that after taking a beating while I figure how to make the things that work great on my home pitch work on other pitches, I'll end up with a better show and make some decent money.
I mean, I'm not expecting festival money, but I know that if I get a fair chance to get in the rotation and if there's a public that's ready to watch, I'll do ok.
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