There is about to be a meeting discussing the use of mics at the Edinburgh festival. Currently, and for the past eight years, amplified music has been allowed if it is essential to your show(ie robot, dance) but mics are prohibited. Because alot of performers say"I need music to get a crowd" and there is no decibel limit, there are complaints about amplification every year and when we ask for mics we get a flat no!
I'm looking for arguments that are pro mics from anyone asap so I can give them to the festival at the postmortum meeting.
Currently I have
- our voices are a tool that is essential to our performances (and before anyone says you should be able to do it without a mic - I can and do but it's a 24 day festival against bagpipes, students advertising their shows, and loud music.)
- we are looking for vocal reinforcement, not amplification.
- allow all amplification but set a decibel limit.(sometimes the level of music is stupidly loud)
Any suggestions or extentions from the intelligent performers out there would be appreciated!
J-P
I'm looking for arguments that are pro mics from anyone asap so I can give them to the festival at the postmortum meeting.
Currently I have
- our voices are a tool that is essential to our performances (and before anyone says you should be able to do it without a mic - I can and do but it's a 24 day festival against bagpipes, students advertising their shows, and loud music.)
- we are looking for vocal reinforcement, not amplification.
- allow all amplification but set a decibel limit.(sometimes the level of music is stupidly loud)
Any suggestions or extentions from the intelligent performers out there would be appreciated!
J-P

Comment